Charvel GTM6 Manual de usuario descargar pdf (Pagina 11)

CHAIN

goes

around,

so

from

the

last

preset

it

jumps

back

to

the

first

one.

When

you

turn

the

GTM

6

on,

CHAIN

will

start

always from

the

first

preprogrammed

preset.

The

result

of

a

cold

start

is

that

CHAIN

will

go

through

the

presets

from

11

to

48.

There

is

a

more

advanced

way

to

use

the

CHAIN

pedal.

If

you

have

three

synthesi

zers

assigned

to

different

MIDI

channels,

one

for

playing

the

guitar,

one

for

the

SE

QUENCER,

and

one

for

the

HOLD,

you

can

also

assign

up

to

three

preset

chains

to

them.

To

achieve

this

first

you

have

to

assign

a

MIDI

channel

to

each.

In

the

PROGRAM

mode,

press

CHANNEL,

then

press

the

CHAIN

pedal.

Now

press

three

numbers

successively

(instead of

only

one

as

it

was

described

earlier).

This

way

you

assi

gned

a

MIDI

channel

to

each

of

chains

1,2,

and

3.

The

MIDI

channel

of

the

first

chain

will

also

be

the

channel

for

the

direct

preset

change

from

the

numeric

keypad.

After

setting

the

MIDI

channels

as

described

above,

you can

program

the

chains

themselves.

In

the

PROGRAM

mode,

press

the

CHAIN

pedal

and

type

in

the

first

three

preset

numbers

for

the

chains

1,2,

and

3.

The

preset

serial

number

will

ad

vance

only

after

all

the

three

presets

have

been

typed,

and

you

can

assign

the

se

cond

three.

Programming

one

of

the

three

bend

modes

should

be done

-

if

neces

sary

-

before

entering

the

next

three

numbers.

When

you

are

ready,

press

the

CHAIN

pedal,

and

then

PLAY/PROGRAM

to

return

to

PLAY

mode.

The

free

memory

space

of

the

GTM

6

is

shared

between

up

to

7500

memory

loca

tions

for

presets

and

1000

notes

for

the

SEQUENCER.

7.

HOLD

The

middle

pedal

is

the

HOLD-FUNCTION.

This

functions

in

two

different

ways

depending

on

whether

you

can

dedicate

a

separate

synthesizer

to

it

or

if

it

has

to

be

shared

with

the

guitar

itself.

This

will

be

acknowledged

by

the

fact

that

the

MIDI

channel

of

the

guitar

strings

is

the

same

as

that

of

the

HOLD.

If

you

cannot

dedicate

a

synthesizer

to

it,

then

HOLD

will

sustain

the

sound

that

on

is

the

moment

you

press

the

pedal

and

will

sustin

it

until

you

release

it

again.

Du

ring

this

you

can

play

further

using

the

natural

sound

of

the

guitar.

If

you

want

to

sustain

a

chord,

for

example,

you

have

to

play

the

chord

first

then

press

the

pedal

a

moment

later.

If

you

use

synthesizer

A

for

the

guitar

strings

and

synthesizer

B

separately

for

the

HOLD

then

whenever

you

push

the

pedal

the

sound

of

A

stops

immidiately

and

B

will

start

any

new

note.

When

the

pedal

is

released

the

last

sustained

notes

of

B

will

be

held

until

you

push

the

pedal

again.

If

you

want

to

sustain

a

chord

then

push

the

pedal

first,

hit

the

chord

and

release

the

pedal

immidiately.

The

pictures

on

the

programing

card

explain

all

these

operations.

In

the

second

mode

you

can

use

the

HOLD

pedal

to

switch

back

and

forth

between

two

synthesizers

by

keeping

the

pedal

down

for

B

and

releasing

it

for

A.

11

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